Places of worship · Pricing
What worship live streaming actually costs
Nobody in this market publishes prices, which leaves every parish council and temple committee guessing. Here are our real ranges and the four decisions that move them.
The short version
Why nobody will give you a number
Search for what it costs to stream a service in India and you will find directory listings, phone numbers and a great many requests to call for a quote. Almost no production company publishes what they charge. The result is that a parish council or a temple committee trying to work out whether this is a ₹20,000 decision or a ₹2,00,000 one has nowhere to start, and usually ends up either overpaying or abandoning the idea.
We would rather publish the ranges and be argued with. The numbers below are the same line items our public event calculator prices against — they are not worship-specific rates invented for this page, they are what we charge to put cameras, sound and a stream into a room.
The honest caveat is that a building changes things. A stone church with no sound desk and a choir loft is a different job from a modern auditorium with a digital desk and a tie line to the back wall. That is why we visit before quoting rather than pricing from a phone call — and it is also why nothing below is a fixed price list.
What we do
The parts that make up the job.
Cameras and crew — ₹18,000 to ₹1,28,000
A single camera with one operator runs ₹18,000–₹26,000 for a full day. Two cameras with a two-person crew, ₹36,000–₹52,000. Three cameras and a producer, ₹58,000–₹84,000. Four to five cameras with a full crew, ₹88,000–₹1,28,000.
Audio — ₹3,000 to ₹30,000
An on-camera and shotgun mic setup is ₹3,000–₹5,000, and is rarely enough for a worship building. A venue desk feed with a backup recorder is ₹8,000–₹14,000. Multi-mic with a dedicated sound operator — what a choir and congregation actually need — is ₹18,000–₹30,000.
Streaming — ₹25,000 to ₹90,000
A single platform with our encoding and connectivity is ₹25,000–₹45,000. Multi-platform with full redundancy — more than one bonded connection, backup encoding — is ₹45,000–₹90,000.
Duration and days
Rates above are full-day. Short services cost less; multi-day festivals are quoted as a run rather than as a stack of single days, because crew rotation and standing kit change the arithmetic in your favour.
Permanent installation — quoted after a visit
We are not going to publish a number we have not settled. Installations vary too much with the building — cable routes, camera positions, what the existing sound system can give us — and any figure quoted before seeing it would be fiction.
LED screens and sound reinforcement
Priced by size, days and ground conditions. For a festival these are often the larger half of the budget, and they are worth scoping early because availability in season is the binding constraint, not price.
What we cover
Rough shapes, so you know which conversation you are in
Planning figures, not quotes. Every one of these moves with the building.
A single service, one camera
Simple coverage of one service with decent audio and a single-platform stream. The entry point, and enough for many parishes.
A weekly service, crewed
Two cameras, a proper audio setup and redundant streaming. Sustainable for a season, expensive as a permanent habit — which is the argument for installing instead.
A feast day or utsavam
Three or more cameras, a procession, sound reinforcement and often screens. A different order of production from a Sunday.
A multi-day festival
Quoted as a run. Crew rotation, standing kit and LED dominate; the per-day figure comes down as the days go up.
A convention
The largest thing most institutions commission. Delay towers, large-format LED, generators, six days of rotation.
A permanent install
Capital rather than event spend. Usually pays back against crewing costs within a couple of years if you stream weekly.
How it runs
The four things that move the number
- 01
How many cameras
The largest single lever, because each one is a person as well as a box. Most worship buildings are well served by two or three, and the fourth is usually about the procession rather than the sanctuary.
- 02
What your sound system can already give us
A building with a desk we can take a clean feed from is materially cheaper to cover than one where we have to build an audio system from scratch. This is the line item people never anticipate.
- 03
Whether it happens once or every week
Above roughly a service a week, installing costs less than crewing within a couple of years. Below that, crewing is almost always the right answer.
- 04
How much redundancy you need
For an ordinary Sunday, one good connection and local recording is enough. For a funeral, a convention or a consecration — anything that cannot be repeated — full redundancy is the reason to hire anyone at all.
Why Gloworks
One crew, one roof, start to finish.
We publish it
These are the same line items our public event calculator prices against, not a set of numbers written for a marketing page.
We visit before quoting
A building changes the answer more than the guest list does. Quoting a worship space from a phone call means guessing, and the guess is always wrong in the same direction.
We will tell you to spend less
If your existing setup needs a microphone rather than a crew, that is what we will say. It is a smaller invoice and a better outcome.
No surprises after the day
Travel, accommodation and overtime are in the quote or they are not charged. A festival is not the moment to discover a line item.
Frequently asked
The questions we get every week.
What is the cheapest useful setup?
One camera, a proper feed off your sound system, and a single-platform stream — roughly ₹18,000–₹26,000 for the camera and operator plus ₹8,000–₹14,000 for the audio and the streaming line on top. Below that you are into phone territory, which is a legitimate choice but a different one.
Is it cheaper to buy our own equipment?
If you stream every week, yes, usually within a couple of years. If you stream on feast days and at Christmas, no — the kit sits idle, ages, and still needs somebody who knows how to run it. The break-even is about frequency, not about size of congregation.
Why won't you publish installation prices?
Because we have not settled them, and a number invented for a web page is worse than no number. Installations vary enormously with the building — cable routes, camera positions, what your sound system can give us. We will quote after a visit and the quote will be a real one.
Do you charge extra for travel to Kerala?
Travel is in the quote, itemised, so you can see it. For a single service a long way from Bengaluru it can be a large share of the cost, which is why we will sometimes tell you that a local crew serves you better. For multi-day festival work it barely registers.
Can we start small and add to it?
Yes, and it is usually the right sequence. Get the audio right and stream one camera reliably for a few months. Add cameras once your volunteers are comfortable, rather than buying a four-camera system that nobody has the confidence to run.
Do you have a package price for weekly services?
We would rather look at your building first. A recurring arrangement almost always ends up as an installation plus support rather than a weekly crew, because that is cheaper for you — and we would rather propose the cheaper thing than sell a subscription.
Keep reading
Get a real number, not a range.
A visit costs nothing and produces a quote that will not move. Tell us where the building is.